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Drive (2. 01. 1 film) - Wikipedia. Drive is a 2. 01. American neo- noircrimethriller film directed by Danish filmmaker Nicolas Winding Refn. The screenplay by Hossein Amini was based on the eponymous 2.
James Sallis. The film stars Ryan Gosling as an unnamed Hollywoodstunt driver moonlighting as a getaway driver. He quickly grows fond of his neighbor, Irene (Carey Mulligan) and her young son, Benicio. Her debt- laden husband, Standard (Oscar Isaac), is released from prison, and hires him to take part in what turns out to be a botched million- dollar heist that endangers their lives.
Other members of the ensemble cast include Bryan Cranston, Christina Hendricks, Ron Perlman, and Albert Brooks. Published in 2. 00. Marc Platt and Adam Siegel optioned Sallis's novel after Siegel read a review from Publishers Weekly. Adapting the book proved to be challenging for Amini as it had a nonlinear narrative. Gosling was one of Platt's top casting choices, eventually signing on for the lead as he wanted to star in an action- oriented project.
Gosling played a pivotal role in the film's production, which included hiring Refn as director, and Beth Mickle as production designer. On a production budget of about $1. September 2. 5, 2. Los Angeles, and concluded on November 1. Before its September 2. Drive was shown at a number of film festivals, including the 2. Cannes Film Festival, where it was praised and received a standing ovation.
Taxi Driver is a 1976 American neo-noir psychological thriller with vigilante themes directed by Martin Scorsese and written by Paul Schrader. Set in New York City. A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action.
Refn won the festival's Best Director Award. The film received widespread praise, with critics highlighting Refn's direction, performances by the ensemble cast, visuals and action sequences, and the film score composed by Cliff Martinez. However, some critics were appalled by its graphic violence and found it potentially detrimental to the film's box office success. Several critics listed Drive as one of the best films of 2. Best Sound Editing nomination at the 8. Academy Awards. The unnamed Driver works as a mechanic, a stunt double, a stunt driver, as well as a criminal- for- hire getaway car driver. His jobs are all managed by auto shop owner Shannon, who persuades Jewish mobsters Bernie Rose and Nino to purchase a car for the Driver to race.
The Driver meets his new neighbor, Irene, and becomes close to her and her young son, Benicio. Irene's husband, Standard Gabriel, is in prison. After Standard is released, Irene still asks the Driver to visit them. Standard owes protection money from his time in prison and is beaten up by Albanian gangster Cook, who demands that Standard rob a pawnshop for $4.
Drive is a 2011 American neo-noir crime thriller film directed by Danish filmmaker Nicolas Winding Refn. The screenplay by Hossein Amini was based on the eponymous. Movie, TV, and pop culture fun for the whole family.
Cook gives Benicio a bullet as a symbol that he and his mother are in danger. The Driver, concerned for the safety of Irene and Benicio, offers to act as the getaway driver for the pawnshop robbery. The job goes awry when the pawnshop owner shoots and kills Standard while the Driver is waiting for him with Cook's accomplice, Blanche. Pursued by a mysterious adversary, the Driver and Blanche escape after an intense car chase.
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The Driver hides with Blanche in a motel where he learns from a news report that Standard, according to the pawnshop owner, performed the robbery by himself and that no money had been stolen. When she lies about being oblivious to the second car when the Driver interrogates her, he slaps Blanche and threatens to hurt her to get her to talk. Blanche then admits that the bag contains a million dollars and that she and Cook planned to re- steal the money using the car that chased them.
Two of Cook's men ambush them in the motel room, and kill Blanche before the Driver manages to kill them both. At the auto shop, Shannon offers to hide the money, but the Driver refuses. He hunts down Cook in a strip club, smashes his fingers with a hammer, threatens to kill him, and force- feeds him the bullet that was given to Benicio. Cook reveals that Nino was behind the robbery.
The Driver decides to return the money, but Nino dismisses the offer and instead sends a hit man to the Driver's apartment building. Entering the elevator with Irene, the Driver encounters the hit man. He then kisses Irene, and brutally beats the hit man to death. Afterwards, Irene leaves the elevator stunned and horrified. At his pizzeria, Nino reveals to Bernie that a low- level Philadelphia wise guy from the . Since anyone tied to the robbery could lead the East Coast Mafia to them, they need to kill everyone involved. Bernie warns Nino that nobody steals from the Italian Mob.
Nino is angry because the Italian Mob has marginalized and insulted him because of his Jewish heritage. He convinces Bernie to follow his plan.
Bernie then murders Cook, as he is the sole witness to their agreement. After Shannon refuses to divulge the whereabouts of the Driver, Bernie kills him at the auto shop with a straight razor.
The Driver, disguising himself with a rubber mask from his stuntman job, follows Nino from the pizzeria to the Pacific Coast Highway and T- bones Nino's car onto a beach, then chases him from the wreck to the ocean and drowns him. He makes a phone call to Irene to tell her he is leaving and that meeting her and Benicio was the best thing that ever happened to him. The Driver goes to meet Bernie, who promises that Irene will be safe in exchange for the money. He gives Bernie the money, but Bernie attempts to kill him, stabbing him in the stomach. Having fatally stabbed Bernie, the Driver abandons the money and leaves. Irene knocks at the Driver's apartment, but gets no response.
The Driver drives off into the night. Production. I felt that the way the world was presented in the book demanded that its true grit be retained in the script. The grit comes from seeing the world from the point of view of the driver in the car. It's those elements that I felt were critical to retain to make this film a very unique cinematic experience.
The character interested Platt, because he reminded him of movie heroes he looked up to as a child, characters typically portrayed by Steve Mc. Queen or Clint Eastwood. He felt it was a rare book to receive from a studio because it was short, gloomy, and like a poem. Since the novel does not present a linear story, but has many flashbacks and jumps around in time, Amini found the adaptation challenging. Divx Ipod Whose Streets? (2017).
He felt the non- linear structure made it . Universal Studios, which had tried to make a film version for some time, was also on board.
Platt contacted actor Ryan Gosling about Drive early on. Platt explained: . He had always been interested in doing an action- oriented project. Gosling claimed that he was simply put off from the genre, believing that the action films of today focused more on stunts instead of characters.
Despite this, Platt heard back from the actor around 4. Gosling has stated that his strong attraction to the plot led him to take on the leading role of the unnamed driver, saying that he was drawn to the . He replied: I think that might be the original one I read. I read a few drafts. I read one as well where he wasn't a stunt driver at all, which was a newer draft – maybe that's the one Hugh Jackman had; I'm not sure exactly. Basically when I read it, in trying to figure out who would do something like this, the only way to make sense of this is that this is a guy that's seen too many movies, and he's started to confuse his life for a film. He's lost in the mythology of Hollywood and he's become an amalgamation of all the characters that he admires.
There was no other choice. Refn took on the project without hesitation. He meets with them and casts them on the spot if he feels they're right. The character was changed to Irene after Mulligan was cast, with Refn explaining that he . Refn and Amini made significant changes to the original script during this time.
Knowing Cranston had other opportunities, Refn tried to interest him by asking how he would like to develop the role. After not hearing back, Refn called him, at the very same time that Cranston was writing on a piece of paper the pros and cons of doing Drive. Moved by Refn's interest, he accepted the part.