1. OK, that doesn’t sound like that much fun, does it? But what if I tell you that J.K. Rowling’s “Fantastic Beasts and Where to Find Them,” which dips into the.
2. 2016 is loaded up with interesting and exciting films this year, including Captain America: Civil War, Ghostbusters, Suicide Squad, Finding Dory and the anticipated.

Top 2. 0 Best Comedy Movies Of 2. Let’s take a look at the biggest and best comedy movies of 2. Funny this year has come in the form of De Niro as a dirty grandpa, Sacha Baron Cohen as a soccer hooligan, the return of Bad Santa, and a wild Sausage Party. That and so much more. Let us know in the comments what you think are the best comedy movies 2. Here’s the rundown of every significant theatrical release, good and bad: – JANUARY –Ride Along 2.

Watch movie trailers, previews, teasers and TV spots for new and classic movies. High Definition flash and quicktime trailers from 1931 to the present. Top 20 Best Comedy Movies 2016.

Starring: Kevin Hart, Ice Cube, Ken Jeong, Benjamin Bratt, Olivia Munn, Tika Sumpter. Director: Tim Story. Out: 1. 5 January 2. U. S. Dates)Jumpy, fast- talking Ben (Hart) has graduated from police academy and is now an Atlanta P. D. Grumpy James (Cube), his soon to be brother- in- law, is still annoyed by his tactics. But before Ben is able to marry James’s sister, their boss assigns them to a case in Miami, where they will be working with the Miami P.

D. New additions include Ken Jeong as a slippery hacker turned informant, Olivia Munn as a Miami detective, and (strangely briefly) Tyrese Gibson as Cube’s partner during a bust. Director Tim Story returns. The passable first movie (which made an incredible $1. Hart and Cube were a good . But with Cube’s “approval” won at the end of that, the plot here has pretty much no stakes whatsoever, other than what level of shenanigans they’ll get up to in Miami.

The by- the- numbers screenplay is certainly lazier, trotting out ’9. Hart nothing clever to work with. There are a dozen or so amusing lines, but over ninety minutes that just isn’t good enough. Ultimately your enjoyment will once again depend on how much you’re a Hart fan. Grandpa’s looking to score again after 1.

Plaza) might help him succeed. Meanwhile his grandson is starting to question if getting married isn’t feeling like more of a prison sentence. The director previously co- wrote .

The R- rated film starts like a deadweight, but when De Niro gets going he’s hilarious, if a couple of times humiliated. Seeing him wack off to an adult movie might be the low point of his career but within minutes he’s exclaiming that his nightmare would be Queen Latifah taking a dump in his mouth from a hot air balloon, with a delivery that no other actor could have matched. He’s a machine of full- on bad taste and, rather than lament his fall from prestigious grace as critics have done, I fully admire his commitment to this role. Indeed the film is the most filthy and un- pc I’ve seen in a long time (only bested by .

As pop culture moves so quickly, thanks to the ever increasing speed of communication, the references in the trailer – to ’5. Shades’, to . Nonetheless, expect the usual assortment of high- pitch Marlon screams, fart gags and jokes about “white people”.

Like Adam Sandler films, there’s a group who like Wayans comedies and a group that don’t. You already know which you’re in. How To Watch The Full Generational Sins (2017) Movie. Ehrenreich plays the onscreen cowboy making a wooden transition to a talking role and driving luvvie director Ralph Fiennes mad. Swinton plays a gossip columnist, Johansson is the star facing scandal after becoming pregnant from a fling, and Channing Tatum is a singing/dancing actor with an interesting sideline. Roger Deakins, probably the greatest cinematographer alive, rejoins the Coen Brothers, having previously worked with them on the likes of .

If you don’t have an interest in the golden age of Hollywood then this is likely to be a drag because the primary pleasure here is seeing those period visuals recreated and having fun with the politics and studio system of the era. Most of the stars on the poster are little more than glorified cameos (Jonah Hill has one scene, Scarlett Johansson has three, Channing Tatum has three, etc). The story flow feels disjointed, like a series of vignettes tied together fairly awkwardly.

It lacks forward drive, any real stakes, and it’s never hilarious, although some individual scenes (like Tatum’s dance number and Ehrenreich’s date at the cinema) are wonderfully done and moments of style run throughout. For cinephiles only. By 1. 94. 4 Captain Mainwaring’s (Jones) men are suffering from low morale, until a glamorous journalist (Zeta- Jones) arrives to report on the platoon’s exploits. Meanwhile, MI5 have discovered a radio signal transmitted from Walmington- on- Sea towards Berlin, apparently the work of a spy, giving the Home Guard a chance to make a real difference in the war. The do- over comes from the writer and director of . There’s nothing fundamentally wrong with the idea of rebooting the series, the concept remains potentially funny and endearing – but this is a very lacklustre effort. The plotting and writing are weak, the slapstick’s embarrassingly lame and the direction well below par (the bull chase and final shootout are among the most poorly staged sequences of the year).

Catherine Zeta- Jones has a ridiculously large amount of screen time for her role, with scene after repetitive scene of the men individually trying to win her affection. Indeed for most of the running time she’s on screen more than Captain Mannering. This is at the expense of male bonding scenes and so we get little sense of the interpersonal relations between the squad. Toby Jones tries hard as Mannering but in the end he’s a dramatic not a comic actor. A curiosity for long time fans but no pleasure for anyone.

Miller, Morena Baccarin, Gina Carano. Director: Tim Miller. Out: 1. 2 February 2. Wade Wilson (Reynolds), an unhinged former Special Forces operative turned neighbourhood- duties mercenary, finds the love of his twisted life, but then discovers cancer is about to end it. Approached by a shadowy man, he agrees to become part of a super- soldier program in return for a cure. The torturous rogue experiment scars him severely, but gives him incredible agility and accelerated healing powers. When its sadistic overseer Ajax (Skrein), who cannot feel pain, reveals that Wade is actually being turned into a super- slave, Wade breaks free, adopts the alter ego Deadpool, and sets out for revenge – amidst a sea of quips and 4th wall breaking commentary.

Soon he enlists the help of two X- Men: steel- skinned Colossus and energy conductor Negasonic Teenage Warhead. The movie’s at its best whenever he’s in costume, with the unique shifting eyes of the mask doing a great job of conveying the comic character. The script comes from the writers of . The story itself is perhaps a little too straightforward, and much of the backstory is played as straight drama, but better that than a spoof. It does a good job of making someone near invulnerable in the comic seem vulnerable but could have carried over more of his split personality and the surreal, there’s a hint of those aspects toward the end. All in all it’s a chuckle- worthy R- rated escapade, that’s made an incredible amount of money at the box office.