The 2. 0 best movies of 2. From Anatolia to Zubrowka, the great motion pictures of 2. They leapt into the past, winding their way through 1. There were imaginary settings, like the crooked California community of Gordita Beach, and ones that just looked imaginary, as glimpsed through the inhuman eyes of an extraterrestrial tourist. Finding a common link among the 2.

Berlin apartment. Yet for all the far- flung locations represented on our list—including the mundane residential backdrops of our top choice, the only movie to appear on every one of the six contributors’ ballots—a unilateral piece of travel advice emerges: There was no better place to be this past year than at the movies.

There are some stellar earbuds you can buy under $100. But you must choose wisely. Our testing found 9 best in ear headphones under 100 & the sound will. Space: 1999 is a British science-fiction television series that ran for two seasons and originally aired from 1975 to 1977. In the opening episode, set in the year. The Shining is a 1980 American horror film produced and directed by Stanley Kubrick and co-written with novelist Diane Johnson. The film is based on Stephen King's.

The Unmutual Website - dedicated to the TV series The Prisoner, Patrick McGoohan, and Portmeirion. News, reviews, links, events and more! Editorial: 10 Big Picture Takeaways From The Inception/ Curiosità sul film con Leonardo Di Caprio e Marion Cotillard su Italia 1 (oggi, 5 settembre 2017)Inception e il mondo dei sogni: Christopher. From Anatolia to Zubrowka, the great motion pictures of 2014 took you places. They leapt into the past, winding their way through 19th-century art galleries and 20th.

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Winner of this year’s Palme D’Or at the Cannes Film Festival, Nuri Bilge Ceylan’s Winter Sleep seems, at first blush, like a daunting viewing challenge—a 1. Turkish drama that’s composed almost entirely of conversational scenes. And yet the film is anything but an arduous experience, providing a richness of interpersonal exchange through the story of a former- actor- turned- hotel- proprietor (Haluk Bilginer) dealing with an unhappy younger wife (Melisa Sozen), a sour single sister (Demet Akbag), and a family in financial debt to him.

In scene after thoughtfully composed scene, Ceylan immerses himself in the minute problems of his protagonist. Those issues all eventually prove to be symptomatic of his much larger failing to understand himself, just as they reveal Winter Sleep to be not just the story of a single individual, but a more universal study of the discrepancy between how we see ourselves and how we are seen by others. Bolstered by stunning visuals that constantly express the characters’ shifting relations to one another, it’s a film that plumbs small- scale drama to epic effect.

Pascale Ferran’s intoxicating diptych Bird People asks that question by contrasting the experiences of an American businessman (Josh Charles) staying at an airport hotel in Paris and the young maid (Ana. In the film’s first half, Charles’ Gary wakes up to a panic attack and abruptly decides to quit his job, end his marriage, and remain in Paris indefinitely. In the second half, Demoustier’s Audrey unexpectedly has something very unusual happen to her. Gary’s withdrawal from his entire life has severe real- world repercussions, with which he has to deal at length (hunker down for his all- night Skype fight with his wife), and is arguably rooted largely in selfishness. Audrey’s bizarre journey of discovery, on the other hand, while exhilarating, is also tinged with danger, and opens her eyes to aspects of her surroundings she’s never noticed before.

Few filmmakers would think to combine the mundane and the whimsical in quite this way, and fewer still could pull it off so beguilingly. Nolan’s ambitious sci- fi adventure features some of his trippiest and most beautiful imagery, surrounded by wordy explanations of science, all in service of a story about a man who misses his kids, emotionally and literally. Matthew Mc. Conaughey gives one of his best movie- star performances as that man, who leaves his family to pilot a mission to find planets that may be hospitable to human life following a devastating food shortage on Earth. He winds up traveling across not just space but time and dimension, with the director’s characteristic urgency, sincerity, and big- canvas imagery. Nolan, often and incorrectly pegged as a Kubrick heir, reaches for the stars in a more literal- minded but also more humanity- friendly way. His blockbuster epic feels simultaneously huge (especially on a proper Imax screen) and intimate—an appropriate combination for the vastness and loneliness of space.

Cambodian filmmaker Rithy Panh, who’s spent most of his career cataloguing the atrocities of the Khmer Rouge, turned to his own horrible history with the Communist group—specifically, his childhood experiences in an agricultural labor camp, where his parents and siblings died of starvation. As footage of these dark days is scarce, Panh devised a novel workaround, placing tiny clay surrogates—of himself, of his slain family, of the war criminals responsible—into model recreations of the camp. Almost any version of the director’s first- person account would have been harrowing, but The Missing Picture gains an additional power from its unlikely approach: Despite its reliance on still images, the film is inherently cinematic, with Panh bringing his survival story to life through both evocative manipulation of the figurines and poetic voice- over recollections. Filling the void implied by its title, The Missing Picture proves not only that necessity can be the mother of invention, but also that great suffering can be channeled into great art.

God Help The Girl, from Belle & Sebastian leader Stuart Murdoch, is an unabashed and heartfelt musical with production numbers on the scale of a living- room dance party, shot on beautifully grainy 1. Eve (Emily Browning), an anorexic songwriter, James (Olly Alexander), an aspiring musician, and Cassie (Hannah Murray), a sweetly dizzy rich girl, meet and form a makeshift band. In between Murdoch’s wittily staged confessional songs, they grapple with how and whether to become full- fledged artists. Murdoch’s allegorically autobiographical first film takes more cues from A Hard Day’s Night than The Sound Of Music (though both get a shout- out in a single scene), but it’s not just a charming throwback; it’s a celebration, laced with melancholy, of how young people find and lose each other through music. And it makes the musical feel personal and vital again. The power goes out all over the neighborhood, with the exception of a single house down the block; when a couple of guys go over there to check it out, they return with a box—which contains individual photos of the whole group, each with an unexplained number on the back—and a crazy story. Or do they return?

Byrkit and Alex Manugian (who’s also part of the cast) devised a freaky exercise in escalating paranoia, then had the actors improvise their way through the narrative, not knowing what would happen next. Miraculously, the result plays like tightly scripted drama, building relentlessly toward a decisive moment for one character in particular. Those with a little layman’s knowledge of quantum physics will be extra prepared for the question Coherence ultimately poses: If there are an infinite number of things you could be doing with your life right now, why on earth are you doing that? Jason Schwartzman is perfectly cast as the eminently quotable title character, a toxic novelist, but Perry pulls off a tricky structural switcheroo by cutting him out of most of the middle chunk of the movie, instead shifting the focus to his girlfriend (Elisabeth Moss) and literary idol (a superb Jonathan Pryce). What emerges is a film about egoism that refuses to indulge its protagonist’s ego—a movie of counterpoints and unflattering close- ups.

Turner finds writer- director Mike Leigh at the absolute apex of his art. Buy Lycan (2017) Hq here. A biopic of supreme beauty and engaging nuance, the film charts the adult life and career of famed landscape painter J. M. W. Turner, played by Timothy Spall in a career- best performance. Constantly grunting, habitually shifting his eyes to and fro, and alternating between gruff brusqueness and surprising warmth, Spall embodies Turner as a man of inherent dualities, one whose personal flaws—including a callous refusal to publicly admit to, or privately show any compassion toward, his ex- girlfriend and children—did not compromise his standing as a great man. An intimate snapshot of the artist as neither saintly nor damnable but, instead, a multifaceted human being, Mr. Turner digs deeply and shrewdly into the various components (some harmonious, some discordant) of Turner’s life, all while evoking his peerless works through striking, gorgeous panoramas of the English countryside.

The Shining (film) - Wikipedia. The Shining is a 1. American horror film produced and directed by Stanley Kubrick. The film is based on Stephen King's 1. The Shining. The Shining is about Jack Torrance (Jack Nicholson), an aspiring writer and recovering alcoholic, who accepts a position as the off- season caretaker of the isolated historic Overlook Hotel in the Colorado Rockies.

Wintering over with Jack is his wife Wendy Torrance (Shelley Duvall) and young son Danny Torrance (Danny Lloyd), who possesses . The hotel had a previous winter caretaker who went crazy and killed his wife, two daughters and then himself. After a winter storm leaves the Torrances snowbound, Jack's sanity deteriorates due to the influence of the supernatural forces that inhabit the hotel, placing his wife and son in danger. Supporting roles are provided by Scatman Crothers, Barry Nelson, Philip Stone, Joe Turkel, Anne Jackson and Tony Burton.

Production took place almost exclusively at EMI Elstree Studios with sets strongly based on real locations. Kubrick often worked with a small crew which allowed him to do many takes, sometimes to the exhaustion of the actors and staff. The new Steadicam was used in several scenes giving it an innovative and immersive look and feel. Because of inconsistencies, ambiguities, symbolism, and differences from the book, there has been much speculation into the meanings and actions in the movie. Unlike Kubrick's previous works, which developed audiences gradually through word- of- mouth, The Shining was released as a mass- market film, initially opening in two U. S. American director Martin Scorsese ranked it one of the 1.

Once hired, Jack plans to use the hotel's solitude to write. The hotel, built on the site of a Native American burial ground, becomes snowed- in during the winter; it is closed from October to May. Manager Stuart Ullman warns Jack that a previous caretaker, Charles Grady, developed cabin fever and killed his family and himself. In Boulder, Jack's son, Danny Torrance, has a terrifying premonition about the hotel, viewing a cascade of blood emerging from an elevator door, and then falls into a trance. Jack's wife, Wendy, tells a doctor that Danny has an imaginary friend named Tony, and that Jack has given up drinking because he dislocated Danny's shoulder following a binge.

The family arrives at the hotel on closing day and is given a tour. The chef, Dick Hallorann, surprises Danny by telepathically offering him ice cream.

Dick explains to Danny that he and his grandmother shared this telepathic ability, which he calls . Danny asks if there is anything to be afraid of in the hotel, particularly room 2. Hallorann tells Danny that the hotel has a . He also tells Danny to stay away from room 2.

A month passes; while Jack's writing goes nowhere, Danny and Wendy explore the hotel's hedge maze, and Hallorann goes to Florida. Wendy learns that the phone lines are out due to the heavy snowfall, and Danny has frightening visions. Jack, increasingly frustrated, starts behaving strangely and becomes prone to violent outbursts.

Danny's curiosity about room 2. Later, Wendy finds Jack screaming during a nightmare while asleep at his typewriter. After she awakens him, Jack says he dreamed that he killed her and Danny. Danny arrives and is visibly traumatized with a bruise on his neck, causing Wendy to accuse Jack of abusing him. Jack wanders into the hotel's Gold Room and meets a ghostly bartender named Lloyd. Lloyd serves him bourbon whiskey while Jack complains about his marriage. Wendy later tells Jack that Danny told her a .

Jack investigates room 2. Wendy that he saw nothing.

Wendy and Jack argue over whether Danny should be removed from the hotel and a furious Jack returns to the Gold Room, now filled with ghosts attending a ball. He meets the ghost of Grady who tells Jack that he must . Meanwhile, Hallorann grows concerned about what's going on at the hotel and flies back to Colorado. Danny starts calling out . She begs Jack to leave the hotel with Danny, but he threatens her before she knocks him unconscious with a baseball bat.

She drags him into the kitchen and locks him in the pantry, but she and Danny are both trapped at the hotel: Jack has disabled the hotel's two- way radio and snowcat. Later, Jack converses through the pantry door with Grady, who unlocks the door. Danny writes . When Wendy sees the word reversed in the bedroom mirror, the word is revealed to be . Jack begins hacking through the quarters' main door with a firefighter's axe.

Wendy sends Danny through the bathroom window, but it will not open sufficiently for her to pass. Jack breaks through the bathroom door, shouting . Hearing Hallorann arriving in a snowcat he borrowed, Jack leaves the room.

He murders Hallorann with the axe in the lobby and pursues Danny into the hedge maze. Wendy runs through the hotel looking for Danny, encountering ghosts and the cascade of blood Danny envisioned in Boulder. She also finds Hallorann's corpse in the lobby. Danny lays a false trail to mislead Jack, who is following his footprints, before hiding behind a drift.

Danny escapes from the maze and reunites with Wendy; they escape in Hallorann's snowcat, while Jack freezes to death in the snow. In a photograph in the hotel hallway dated July 4, 1. Jack Torrance smiles amid a crowd of party revelers. In the shorter European cut, all of the scenes involving Jackson and Burton are cut (although their names still appear in the credits). Dennen is on- screen in both versions of the film, albeit to a limited degree (and with no dialogue) in the shorter cut. The actresses who played the ghosts of the murdered Grady daughters, Lisa and Louise Burns, are identical twins.

In the film's dialogue, Mr. Ullman identifies them as . Despite its technical achievements, the film was not a box office success in the United States and was derided by critics for being too long and too slow. Kubrick, disappointed with Barry Lyndon's lack of success, realized he needed to make a film that would be commercially viable as well as artistically fulfilling. Stephen King was told that Kubrick had his staff bring him stacks of horror books as he planted himself in his office to read them all: .

Finally one day the secretary noticed it had been a while since she had heard the thud of another writer's work biting the dust. She walked in to check on her boss and found Kubrick deeply engrossed in reading The Shining. There's an evil side to it.

One of the things that horror stories can do is to show us the archetypes of the unconscious; we can see the dark side without having to confront it directly. These cities were chosen since Kubrick was looking for a boy with an accent which fell in between Jack Nicholson's and Shelley Duvall's speech patterns. Some of the interior designs of the Overlook Hotel set were based on those of the Ahwahnee Hotel in Yosemite National Park. To enable him to shoot the scenes in chronological order, he used several stages at EMI Elstree Studios in order to make all sets available during the complete duration of production.

The set for the Overlook Hotel was at the time the largest ever built at Elstree, including a life- size re- creation of the exterior of the hotel. Saint Mary Lake and Wild Goose Island in Glacier National Park, Montana was the filming location for the aerial shots of the opening scenes, with the Volkswagen Beetle driving along Going- to- the- Sun Road. The Timberline Lodge on Mount Hood in Oregon was filmed for a few of the exterior shots of the fictional Overlook Hotel; notably absent in these shots is the hedge maze, something the Timberline Lodge does not have. Outtakes of the opening panorama shots were later used by Ridley Scott for the closing moments of the original cut of the film Blade Runner (1. Principal photography took over a year to complete, due to Kubrick's highly methodical nature.