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The Girl in the Tangerine Scarf – Book Review. Spoiler Alert! This review mentions major events of the book! A hijabi on the cover (okay, so she’s wearing jeans. To tell the truth, it’s actually not that bad – the first half, anyway. In fact, I loved the first half! I’ve just finished reading Mohja Kahf’s book “The Girl in the Tangerine Scarf.” It’s about Khadra Shamy, the daughter of Syrian immigrants to Indianapolis, whose parents become heavily involved with the Da’wah Centre. The chapters recounting her childhood and adolescence, growing up in a very tight- knit Muslim community, made me smile, laugh, and even sniffle a bit – also being the daughter of “Da’wah workers,” I could relate to it quite a bit!

Funny and interesting anecdotes; truly accurate glimpses into the heart of the Muslim community; and since no life is complete without sorrow, even the grisly death of one of the community’s most promising young women. Also of note are Khadra’s trip to Saudi Arabia for Hajj – where she discovers that not all is Islamic amongst the youth of the Land of the Islam. Things began to look up, though, when Khadra marries Juma al- Tashkenti – a good guy all around. Awwwwwwwwww, masha’Allah! At this point, I had gone around telling everyone I met what a great book this was!

I totally agree with Khadra’s husband – riding a bike in public isn’t quite seemly of a Muslim woman. The author, apparently, has quite different ideas, as can be evidenced here:  “But eventually, she put the bike in the resident storage area of their building’s basement. Something inside her rusted a little, too.”Like this? Get more of our great articles. This is the Big Thing – rather than having the child, she decides that her studies and work are more important to her. Yep, that’s right. She eventually returns to America, where she lives far away from her family and any Muslim community – it’s also where “Khadra found that she enjoyed venting.

The last few chapters of the book are dedicated to her reunion with the people of the Muslim community – except that now she looks down upon them as unenlightened, too strict and rigid and supposedly repressed just because they actually stick to the rules of the Deen. Two examples that come to mind are art (drawing animate figures) and music (the case in point regarding the character of Hakim al- Deen – the trombone- playing- former- Imam).

I’m sure we’ve all read or heard the many excuses and arguments that arise whenever the above subjects (as well as others) come up, so I won’t bother with explanatory details. Anyway, here are the relevant bits from the book, presented in respective order: “Well, why are you Muslim then? If anything else is just as good.”Khadra thinks for a minute. I love the Quran, for example. And the forms and rhythms of salaah. I keep coming back o it. It has a resonance for me.”“But you think someone else can pray another way and find a path to God?” Tayiba counters.“Absolutely.” .

Halal, haram. Is it godly? Is it frivolity? No space to breathe. Everyone must have kept secrets from each other about what they really liked, who they really were. How much had any of them really known each other growing up?”  So there we are. In the first snippet of dialogue, Khadra (and presumably Mohja Kahf, if the character’s beliefs reflect the author’s) does not believe in one of the main principles of the .

In the second, we see that there is a heightened sense of the dramatic (not doing things that they wanted to, even if it was haraam, means that they’re “repressing their inner selves” – something mentioned earlier on in the book, like when Khadra stopped riding her bike) and apparently no concept of sacrificing for the sake of Allah, no awareness that whenever a Muslim gives up something for his/her Lord to ward of His Punishment or to earn His Pleasure, Allah will replace it with something better (whether it’s in this world or in the Hereafter). The writing style, especially of the first half, is excellent – detailed, descriptive, and it tracks character development through various phases in a way that you feel you’re growing up with the character. In the second half, I seemed to have lost that feeling of closeness – whether due to the author’s skill waning, a deliberate attempt to make us feel Khadra’s confusion and transition into proggie- Sufism, or my own disgust at the way Khadra turned out, I’m not exactly sure.

I found the end disappointing also – for some reason I didn’t feel that sense of closure that I associate with a good ending to a good book. Rather, it felt clunky and incomplete – one moment she’s wailing with grief, the next providing emotional support to her boy- band- member younger brother who wants to marry his Mormon girlfriend, then giving her older (and much more sensible) brother an “enlightening” lecture about how she has to show both sides of the story about the Muslim community (she took pictures of them that would only reinforce ignorant stereotypes about Muslims and said that she trusts viewers to be intelligent and look past the stereotypes). For others, however, who perhaps enjoy some good fiction (“good” in terms of quality of writing, not necessarily content) and/or would also like to glean a better understanding of how and what the progressives/ liberals/ modernists think – then yes, I would suggest this book, because it’s why I read it in the first place (well, that and curiousity about whether it was just another piece of Islamophobic trash disguised as literature). I’m sure many people would disagree with me on that, but whatever.